Deep Dives, Not Overwhelm

Your students have the strength and understand the mechanics, yet their pirouettes remain inconsistent. The missing piece isn't more repetition—it's intentional artistry training. When dancers control their eye-line during balances, their pirouettes naturally improve through enhanced spatial awareness and focus.

How do I make my dancers more artistic?" Most teachers avoid this question because they don't have a systematic approach. The solution lies in progressive eye-line development - using ancient brain systems to transform technique into storytelling communication at every age.

The first time I taught class, I thought preparation meant knowing the vocabulary and having a few combinations ready. I was wrong. Teaching ballet is an entirely different skill set from dancing ballet. After 27 years, here are the five most important lessons I wish someone had told me before I taught my first class.

While children spin for fun and bounce back from tumbles, adult beginners approach turning with understandable caution. Changes in muscle strength, joint mobility, and reaction time all affect how joyful a first pirouette might feel. Here's why triplet steps beat pirouettes every time for introducing adults to the joy of turning.

That frustrating 'clunk' in your students' rond de jambe? It's happening because they're playing connect-the-dots with ballet positions instead of moving smoothly through space. Here's how embracing 'the ugly place' transforms choppy ronds de jambe into flowing, effortless circles.

Every ballet teacher has seen them - technically strong dancers who somehow lack that compelling presence that makes you stop and watch. Here's the systematic approach that transforms paper doll dancers into full-bodied artists through intentional spatial awareness training.

Since I've spent the last dozen years researching and experimenting with artistry in ballet, integrating these elements into all levels has become second nature to me. Today I'm sharing some quick starting places with you

If your breath cues work for some students but backfire with others, it's not your teaching—it's developmental readiness. This guide breaks down age-appropriate breath and plié cues from early elementary through high school, with practical "instead of this, try this" examples you can use immediately in class.

When students struggle with plié, it's rarely just about 'not bending enough.' Discover how to address misconceptions about hip, ankle, and knee coordination that create choppy, tense pliés.

Teaching adult beginners ballet feet? Discover why typical approaches fail and learn practical tips using everyday imagery that helps adults

Ever assigned the perfect set of foot exercises only to see zero progress? In this post, I share the revelation that hit me after a lunch...

Ballet tights causing dancers to quit? Don't dismiss this real problem. Here are community-tested solutions for tights discomfort, plus flexible policies that keep students dancing.

Finding supportive ballet leotards shouldn't be impossible. After polling our dancer community, here are the brands and styles that provide real support without compromising movement or comfort.

Struggling to teach demi-seconde arm position to young dancers? Skip the technical explanations. These 5 imaginative cues (pirates, umbrellas, tutus!) secretly build perfect ballet technique.

Passing through fifth position in rond de jambe might seem helpful, but it's actually undermining your students' turnout development. Here's the center line approach that builds real strength.

Students walk in with post-Halloween energy? Snow day excitement? This bulletproof ballet lesson planning method keeps classes on track while adapting to real classroom moments.

When do students change feet in changement? This foundational jump has three valid teaching approaches. Here's when to use each method and why studio consistency matters more than picking the "right" one.

Stop overwhelming your ballet students with complex explanations. Complexity bias makes teachers give too much information at once. Here's why simple solutions create better learning.

"Point your toes!" isn't helping your dancers. They need to point feet AND ankles. Here are 6 simple exercises that strengthen, stretch, and improve foot articulation in ballet students.

Stop fixing sickled feet first! This systematic ballet corrections order prevents re-teaching and builds proper alignment faster. Learn the pelvis-to-ankles method that works.